The 1940s were an interesting period in the history of English cinema. It was an era when films were produced by dedicated studio houses like Pinewood, Ealing, Shepperton, Denham and Elstree (Lay, 2002). But with Britain’s involvement in the Second World War, the role of cinema were to undergo a transformation. From being a medium of mass entertainment, it would serve as a great political tool. Some of the films made during the early years of the war were not so much works of art as mediums of political propaganda. Given the inadequacy of the RAFs in resisting the Nazi war machinery, the British High Command motivated civilian men to join the army through films. In this case, the films elucidated what it means to be British and what responsibilities citizenship entails. The movies were a call for duty addressed to young men, to keep alive the long tradition of British pride. This genre is a classic example of the second category of social realism – one of forging national identity. The involvement of government agencies in the making of these films is succinctly captured in the following lines:
“The story of the British cinema in the Second World War is inextricably linked with that of the Ministry of Information.